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The jury for this edition is made up of:

  • Lydia Frasquet. Doctor in Art History, she researches the history of contemporary Spanish art. She has published in various collective monographs and in art journals, such as Archivo Español del Arte. She is the author of the biography Vicente Aguilera Cerni y el arte español contemporáneo, (2020). She has also been an adjunct professor at several universities and an exhibition curator. She currently works as a senior technician at the Col·lecció Martínez Gerricabeitia managed by the General Foundation of the Universitat de València, where she has been coordinating exhibitions, courses and publications since 1999.
  • David Pérez. Full Professor of "Keys to contemporary artistic discourse" at the Universitat Politècnica de València (UPV). He curated the Spanish Pavilion at the 48th Venice Biennale (1999). From 2009 to 2017 he was director of the UPV's Department of Culture. Some of his most outstanding publications are: La mirada contra la Historia (1995), Femenino Plural (1996), Del arte impuro (1997), Malas artes. Experiencia estética y legitimación institucional (2003), La certeza vulnerable. Cuerpo y fotografía en el siglo XXI (2004), Sin marco: arte y actitud (2008), Dicho y hecho. Textos de artista y teoría del arte (2012), Fuera de campo (2014), Leer lo no vivido (2016) and Una poética del etcétera (2018).
  • Esther Alba. Graduate in Geography and History, specialising in Art History, and Doctor in Art History, she is a professor in the Department of Art History at the Universitat de València. Her research activity focuses on the study and analysis of museology and museography and art criticism, with special attention to contemporary art and cultural heritage linked to the exchange and dissemination of ideas and knowledge, from the perspective of visual studies and the gender perspective. She has numerous specialised publications and has directed research projects. She also teaches on the University Masters in Cultural Heritage and in History of Art and Visual Culture, both at the Universitat de València, and is a lecturer and co-director of the Masters in Analysis and Diagnosis of Works of Art and on the PERMEA Masters (Experimental Programme of Mediation and Education through Art), organised by the Universitat de València and the Consorci de Museus of the Valencian Community. She is currently Management Committee Member of COSTE EuroWeb (EU), member of the Board of Trustees of the Museo de Bellas Artes de València and of the Design Foundation, and Vice-Principal for Culture and Sport at the Universitat de València.
  • Alba Braza. She is a cultural producer specialised in curating exhibitions and artistic mediation. She develops her activity between Spain and Italy in long-term projects such as Piazza dell'Immaginario (Dryphoto arte contemporanea, Prato); Bienal de Mislata Miquel Navarro (Ayuntamiento de Mislata); Muestra arte público / universidad pública (Universitat de València); or the mediation of Efecto de una fuerza aplicada bruscamente, by the artist Pepe Miralles at IVAM (Institut Valencià d'Art Modern). Attracted by the reflection and experimentation of exhibition formats, since the creation of the project Sin Espacio (Otro Espacio Association, Mislata, 2009), she considers cultural management as a practice with which to produce subjectivities from and for the context, a comfortable place for dialogue and the creation of affections.